Thursday, December 10, 2009

Rollerblades For Tricks

Preface of my new book

Preface of my new book "Do not look at" soon in bookstores




not deny that reading the stories contained in this collection I have pleasantly involved and at the same time upset .
Ferlazzo, in this second publication, he manages to keep up the reader's interest with plots that, even on the edge of fantasy, describing the mood and conditions of life, unfortunately, still relevant.
feelings, thoughts, remorse, feelings materialize into real people, talking, comparing, making the reader feel that he would not be and see what he would also love. Ferlazzo
Philip is able to convey to the reader the same penalties and the same joys that the everyday life of this world, tied to the distortions of the meaning of many ways of being and living, it offers us with constant, remarkable frequency. Just follow the press to realize that the story may well be the mirror of a society that is losing value and interest for life.
Ferlazzo also tells of love, the real one, the one that has no place in space and time, but is perpetuated in the memories and is strengthened by its fruits.
The phenomenon of child abuse, the neglect of the suffering neighbor, the drug abuse on women, but also love, perhaps ideal, but certainly necessary to elevate the man at the right level of spirituality which the Creator has sold against his will, are the clear images that are drawn in this brilliant work to Ferlazzo.
Man can not rise to the higher dimension if it fails to interpret his own life, their world in the way the author presents the stories of these. Run to dead ends trying to escape unsuccessfully to flaws and love passionately to create the result of feeling tragically lost, but lives are, paradoxically, the opposite conditions in which, today, the man is struggling.
The book, therefore, opens a message, especially for young people, the real actors of the stages of life as told by Ferlazzo: aspire to 'immortality is not only the spirit but with the power of the shares.


Nino Lo Iacono

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